Boston: Little, Brown, and Company, (1904). Kennedy, J.W. Ferguson [Mrs.]. Hardcover. Duodecimo size, 48 pp., with scarce original dust jacket. Louisa May Alcott (1832-1888), author of the classic and much-loved "Little Women" books, abolitionist and feminist, grew up surrounded by many of the 19th-century literary lights of New England, including..... More
New York: A. L. Burt Company (Copyright 1905 by Little, Brown, and Company), 1905. Hardcover. An exceptionally bright copy of this very early twentieth-century work; we cannot find a signature of the binding designer, alas. It has a lovely scene of a meadow with a pine tree, snow-capped mountains in..... More
New York: The Macmillan Company [printed by R. & R. Clark, Limited, Edinburgh], 1914. Palmer, Sutton. First Edition. Hardcover. First US edition, octavo size, 186 pp. plus folding Sketch Map. California, with its wide-open spaces and stunning vistas, has inspired so many books and works of art - this one..... More
New York: G. P. Putnam's Sons, The Knickerbocker Press (1906), 1906. Coburn, Frederick Simpson (illustrations); Armstrong, Margaret (binding, endpapers, and title page). Hardcover. Duodecimo size, [48] pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created..... More
Toronto: The Copp, Clark Company Limited, 1908. Kimball, Alonzo. First Edition. Hardcover. First printing of the Toronto imprint, duodecimo size, 412 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often..... More
New York: Harper & Brothers (1917), 1917. Hardcover. Duodecimo size, 160 pp. A simple yet lovely binding, with a decorative gilt shield on the front. ___DESCRIPTION: Bound in full light blue cloth, gilt decoration on the front board as described above, gilt lettering on the spine, tissue-guarded colour frontispiece; duedecimo..... More
New York: John Lane Company, 1918. Hardcover. Duodecimo size, 133 pp. Although a reprint, we offer this book for the binding which is simple yet effective. Bound in brown cloth, the front board has a gilt rectangle with gilt lettering and a depiction of a gatling gun, also in gilt;..... More
New York: Harper & Brothers, 1913. Hardcover. A very simple yet lovely binding, with gilt lettering on the front and spine, also a blind-embossed decoration reminiscent of a flower on both front and spine; tissue-guarded colour frontispiece. Front board is fine and unrubbed, the corners, head and tail of the..... More
New York: Hinds & Noble Publishers, 1903. Schamberg, Morton Livingston. Hardcover. Quarto size, 116 pp., with engraved frontis and art nouveau title-page. A collection of songs of the University of Pennsylvania Alma Mater embellished with a lovely art deco title page by Frederick Thomas Bigger (class of '03). A mosaic..... More
Indianapolis: The Bobbs-Merrill Company, c. 1912. Hardcover. First printing with Margaret Armstrong's binding design, duodecimo size, 144 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of..... More
New York: G. P. Putnam's Sons, The Knickerbocker Press, 1907. First Edition. Hardcover. Octavo size, 210 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known..... More
Indianapolis: The Bobbs-Merrill Company, (1904). Relyea, C. M., Vawter, Will. First Edition. Hardcover. Octavo size, 91 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known..... More
San Francisco: A. M. Robertson, 1911. Hardcover. Duodecimo size, 140 pp., inscribed by George Sterling (most likely) to San Francisco actress Katharine Emmet. Poet and playwright George Sterling (1869-1926) was much acclaimed on the Pacific coast; a prolific poet, Sterling was part of the group of writers and artists in..... More
New York: Charles Scribner's Sons, 1896. Forestier, A. Hardcover. Duodecimo size, 328 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such as Charles..... More
New York: Charles Scribner's Sons, 1905. Hardcover. Duodecimo size, 296 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such as Charles Dickens, Robert..... More
New York: D. Appleton and Company, 1906. Hardcover. Duodecimo size, 392 pp. A lovely decorated binding, although we cannot find any signature of the binder, alas. Bound in yellow cloth, the front board with red and green lettering, an art deco floral design on the bottom two-thirds of the board..... More
Garden City, New York: Doubleday, Page & Company (1915), 1916. Fogarty, Thomas. Hardcover. Duodecimo size, 395 pp. A lovely decorated publisher's binding; we cannot find a signature of the binding designer, alas. The scene on the front board is of a city next to a bay, mountains in the distance..... More
Garden City, New York: Doubleday, Page & Company [printed at The Country Life Press], c. 1916. Hardcover. Duodecimo size, 394 pp. In 1916, the "Great War" was still raging in Europe; here in the States, while its impacts were felt to a degree, life centered more on discovering a country..... More
New York: A.L. Burt Company (Copyright 1911 by Harold Bell Wright), 1911. Cootes, F. Graham. Hardcover. A lovely binding with a pictorial onlay of a young woman wearing a cowboy hat, several black and white illustrations bound in. Front board is fine and unrubbed, the corners, head and tail of..... More