Boston: Little, Brown, and Company, (1904). Kennedy, J.W. Ferguson [Mrs.]. Hardcover. Duodecimo size, 48 pp., with scarce original dust jacket. Louisa May Alcott (1832-1888), author of the classic and much-loved "Little Women" books, abolitionist and feminist, grew up surrounded by many of the 19th-century literary lights of New England, including... More
New York: A. L. Burt Company (Copyright 1905 by Little, Brown, and Company), 1905. Hardcover. An exceptionally bright copy of this very early twentieth-century work; we cannot find a signature of the binding designer, alas. It has a lovely scene of a meadow with a pine tree, snow-capped mountains in... More
Chicago: W.B. Conkey Company (1892), 1892. Hardcover. Although a reprint, with rather poor print quality and pages which are toning, we offer this book for the lovely binding. The front board has white lettering, a lovely design of snowdrops in green and white, and inset in the middle is a.... More
Chicago: A. C. McClurg and Co., 1899. Armstrong, Helen Maitland. Hardcover. Duodecimo size, 134 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such... More
New York: G. P. Putnam's Sons, The Knickerbocker Press (1906), 1906. Coburn, Frederick Simpson (illustrations); Armstrong, Margaret (binding, endpapers, and title page). Hardcover. 12mo - over 6" - 7" tall. 48 p. Cover design by Margaret Armstrong with initials MA within design, printed on Japanese vellum paper; overall design is... More
Toronto: The Copp, Clark Company Limited, 1908. Kimball, Alonzo. First Edition. Hardcover. First printing of the Toronto imprint, duodecimo size, 412 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often... More
New York: G. P. Putnam's Sons, The Knickerbocker Press, 1902. First Edition. Hardcover. First printing, quarto size, 310 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works... More
New York: Harper & Brothers (1917), 1917. Hardcover. A simple yet lovely binding, with a decorative gilt shield on the front, gilt lettering on the spine; tissue-guarded colour frontispiece. Front board is fine and unrubbed, the corners, head and tail of the spine are minimally rubbed. The interior is bright... More
New York: John Lane Company, 1918. Hardcover. Although a reprint, we offer this book for the binding which is simple yet effective. Bound in brown cloth, the front board has a gilt rectangle with gilt lettering and a depiction of a gatling gun, also in gilt; the spine has gilt... More
New York: Harper & Brothers, 1916. Hardcover. A lovely binding, with gilt lettering and decorations on the front and spine; tissue-guarded pictorial frontispiece. Corners gently bumped, else fine. The interior is bright and clean, free of prior owner markings. ***POSTAGE: International customers, please note that additional postage may apply as... More
New York: Frederick A. Stokes Company [1898], [Printed by Turnbull and Spears, Edinburgh], 1898. Bedford, Francis D. 1st Edition. Hardcover. 12mo - over 6" - 7" tall. 239 p. The first U.S. edition with Bedford illustrations of this classic by Oliver Goldsmith; this version bound in a lovely art deco... More
New York: Harper & Brothers, 1913. Hardcover. A very simple yet lovely binding, with gilt lettering on the front and spine, also a blind-embossed decoration reminiscent of a flower on both front and spine; tissue-guarded colour frontispiece. Front board is fine and unrubbed, the corners, head and tail of the... More
New York: G. P. Putnam's Sons, The Knickerbocker Press, 1902. Hardcover. Third printing (with Margaret Armstrong cover), quarto size, 170 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for... More
New York: Hinds & Noble Publishers, 1903. Schamberg, Morton Livingston. Hardcover. Quarto size, 116 pp., with engraved frontis and art nouveau title-page. A collection of songs of the University of Pennsylvania Alma Mater embellished with a lovely art deco title page by Frederick Thomas Bigger (class of '03). A mosaic... More
Philadelphia: The Penn Publishing Company, 1912. Hardcover. A simple binding, with white lettering on the front and spine, also the design of an anchor on both front and spine; tissue-guarded colour frontispiece of a young lady leaning against a ship, her shapely stockinged legs having one knee bent, the other... More
New York: Charles Scribner's Sons, 1899. Satterlee, Marion and Smith, Alice Josephine. First Edition. Hardcover. Octavo size, 236 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works... More
Indianapolis: The Bobbs-Merrill Company, c. 1912. Hardcover. First printing with Margaret Armstrong's binding design, duodecimo size, 144 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of... More
New York: G. P. Putnam's Sons, The Knickerbocker Press, 1907. First Edition. Hardcover. Octavo size, 210 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known... More
Indianapolis: The Bobbs-Merrill Company, (1904). Relyea, C. M., Vawter, Will. First Edition. Hardcover. Octavo size, 91 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known... More
New York: Charles Scribner's Sons, 1896. Forestier, A. Hardcover. Duodecimo size, 328 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such as Charles... More
Indianapolis: The Bobbs-Merrill Company, c. 1905. Hardcover. Duodecimo size, 443 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such as Charles Dickens, Robert... More
New York: Charles Scribner's Sons, 1905. Hardcover. Duodecimo size, 296 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such as Charles Dickens, Robert... More
New York: Charles Scribner's Sons, 1906. 4th Printing. Hardcover. Duodecimo size, 314 pp. The designs of Margaret Armstrong (1867-1944), utilising the Art Nouveau style and floral patterns, were a sensation in the publishing business; Armstrong created over 270 book designs, often for the works of well-known authors such as Charles... More
New York: D. Appleton and Company, 1906. Hardcover. A lovely decorated binding, although we cannot find any signature of the binder, alas. Bound in yellow cloth, the front board with red and green lettering, an art deco floral design on the bottom two-thirds of the board in red, green and... More
Garden City, New York: Doubleday, Page & Company (1915), 1916. Fogarty, Thomas. Hardcover. A lovely decorated publisher's binding; we cannot find a signature of the binding designer, alas. The scene on the front board is of a city next to a bay, mountains in the distance and a white sky... More