Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]. Charles Baudelaire, Dignimont, Artist, Andre.
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]
Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]

Les Fleurs du Mal [ASSOCIATION COPY - inscribed by artist to Dr. Jean Rousset]

[Paris]: Editions de la Maison Francaise, [1947]. Dignimont, Andre. Limited Edition. Wraps. One of an unspecified number reserved for "des amis du florilege", inscribed by Andre Dignimont, quarto size, 229 pp., in French, unbound sheets. Fine / fine. Item #CNJL1248

With original artwork on front blank signed by Dignimont and inscribed to "a moi bien cher ami le docteur Jean Rousset avec moi fraternatie (?) affection". Likely Jean Rousset (1910-2002), a Swiss professor at the University of Geneva; his "thesis on French literature of the baroque period, published under the title La Littérature de l’âge baroque en France : Circé et le paon, was an immense critical success. It was one of the first studies to use the term 'baroque' - which had been, up to that point, used exclusively in art history – to refer to literary works" (quote from Wiki).

The artist, Andre Dignimont (1891-1965), had a career that spanned more than four decades, working primarily on books (illustrating more than fifty) and theatre decoration; he formed his own distinct style using washes of watercolour incorporated into pen and ink. His style perfectly evokes the emotions of this collection of Baudelaire's poetry which expresses the changing nature of beauty in modern, industrializing Paris during the nineteenth century and coined the term "modernité" (modernity) to designate the fleeting, ephemeral experience of life in an urban metropolis (n. b., info from Wikipedia).

___DESCRIPTION: Unbound, in the original wraps with the original glassine dust jacket, in the French fashion; original tissue-guarded signed watercolour on the front blank of the head of a young woman, inscribed to Jean Rousset as set forth above; frontispiece, small illustration on the title page, and an Aadditional eleven illustrations throughout by Dignimont, engraved on wood in colors by Gerard Angiolini, small decorations on almost every page in different colours; quarto size (approximately 11" tall), pagination: (i-ii) being the half-title and limitation pages, title page (1), blank (2), dedication by Charles Baudelaire (3), blank (4), 5-225 includes Table des Matieres at the end, blank (226), colophon (227); limited edition of 1000 copies plus an unspecified number for the artist and "aux amis du "florilege' ", this being one of those and marked such. Please note that the entire work is in French. Enclosed in a chemise of stiff cards covered with paper marked as vellum, the whole in a slipcase covered with the same paper, the box opening lined with pink cloth.

___CONDITION: Fine overall, the wraps clean and corners straight beneath the glassine dust wrapper, the colours of the illustrations vivid and unfaded, the pages clean and bright; the preliminary leaf with the original watercolour has a shallow crease or two at the top edge and the tissue guard has minor wear. The chemise is very good plus; it is sturdy, but there is some prior restoration to the head of the spine; the slipcase is also very good plus, with light overall wear and some minor prior restoration; it is now strong and sturdy.

___POSTAGE: International customers please note that additional postage may apply; please inquire for more details.

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Price: $1,000.00