Ditchling: St Dominic's Press, 1929. Short, Mary Dudley. First and Limited Edition. Hardcover. No. 250 of 450 copies, twenty-fourmo size,  pp., numbered and initialled by HDCP. Near fine. Item #21073001
The Saint Dominic's Press, founded by Harry (Hilary) Douglas Clarke Pepler, flourished at Ditchling, Sussex, from 1916 to 1936. The first home of the Press was "a disused stable", with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand, believing that such would both produce the best results and also be a "more individual or 'humane'...product". He therefore "preferred the handpress to the machine, handmade to machine-made paper, and handset founder's type to the products of typesetting machines."
Pepler met Edward Johnston and Eric Gill while living in Hammersmith; Pepler and his family would eventually move to Ditchling to join Gill, who was one of the most important artists to provide illustrations for the St. Dominic's Press. Other artists who provided illustrations included David Jones, Desmond Chute, Philip Hagreen, and Mary Dudley Short, among others.
This work a compilation of the following plays: "The Horse", "The Ox and the Ass", "St Martin", "The Cat Burglar", "Running Water", and "Crockodile". Pepler "had his own puppet theatre at Ditchling" and his puppets performed "The Ox and the Ass" at an international marionette festival in 1929.
___DESCRIPTION: Bound in quarter black cloth over paper-covered boards, one of the text illustrations on the front in black, black lettering on the front and back boards, top edge rough-cut, fore- and bottom edges uncut, numbered and initialled by Hilary Pepler on the title page, with five wood-engraved illustrations (one repeated) by Mary Dudley Short; twenty-fourmo size (5 3/8" by 3 7/8"), with  pages; limited edition of 450 copies, this no. 250.
___CONDITION: Near fine overall, the boards clean and without noticeable wear, the corners gently bumped and with a minute amount of rubbing, a strong, square text block with solid hinges, and the interior clean and bright; a few spots of extra glaze used to protect the paper boards around the edges of the boards, the endpapers toned (likely from the glue used on the pastedowns), and the sole prior owner marking we see a lightly stamped number (private library number?) in the bottom margin of the Contents page.
___CITATIONS: Taylor and Sewell, no. A174; note that the quotes and much of the introductory information from "Three Private Presses" by Brocard Sewell.
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